Jules Joseph Lefebvre

Jules Joseph Lefebvre
Jules Joseph Lefebvre (paling lambat 1903)
Lahir	(1836-03-14)14 Maret 1836[1] Tournan-en-Brie, Seine-et-Marne, Prancis
Meninggal	24 Februari 1911(1911-02-24) (umur 74)[1][2] Paris, Prancis
Nama lain	Jules Lefebvre[2]
Pekerjaan	Pelukis

Jules Joseph Lefebvre (bahasa Prancis: [ʒyl ʒɔzɛf ləfɛvʁ]; 14 Maret 1836 – 24 Februari 1911) adalah seorang tokoh Perancis pelukis, pendidik dan ahli teori.

Awal kehidupan

Lefebvre lahir di Tournan-en-Brie, Seine-et-Marne, pada 14 Maret 1836.^[1] Ia memasuki École nationale supérieure des Beaux-Arts pada tahun 1852 dan merupakan murid dari Léon Cogniet.

Karir

Ia memenangkan Prix de Rome yang bergengsi pada tahun 1861. Antara tahun 1855 dan 1898, ia memamerkan 72 potret di Paris Salon. Banyak lukisannya adalah sosok tunggal wanita cantik. Di antara potret terbaiknya adalah potret ML Reynaud dan Prince Imperial (1874).^[3] Pada tahun 1891, ia menjadi anggota Akademi Seni Prancis.

Dia adalah profesor di Académie Julian di Paris.^[4] Lefebvre terutama penting sebagai guru yang sangat baik dan simpatik yang berjumlah banyak orang Amerika di antara 1500 muridnya atau lebih. Di antara murid-muridnya yang terkenal adalah Fernand Khnopff, Kenyon Cox,^[3] Félix Vallotton, Ernst Friedrich von Liphart,^[5] Georges Rochegrosse,^[6] pelukis lanskap kelahiran Skotlandia William Hart, Walter Lofthouse Dean, dan Edmund C. Tarbell, yang menjadi pelukis Impresionis Amerika.^[7] Murid lainnya adalah miniaturis Alice Beckington.^[8] Jules Benoit-Lévy memasuki bengkelnya di cole nationale supérieure des Beaux-Arts.^[9]

Lefebvre meninggal di Paris pada 24 Februari 1911.^[1][2]

Karya

• 1861 The Death of Priam (won the Prix de Rome), École nationale supérieure des Beaux-Arts, Paris
• 1861 Diva Vittoria Colonna
• 1863 Boy Painting a Tragic Mask
• 1864 Roman Charity
• 1865 Portrait d'Antonio, modèle italien
• 1866 Cornelia, Mother of the Gracchi
• 1868 Reclining Nude, Musée d'Orsay
• 1869 Le Réveil de Diane
• 1869 Portrait of Alexandre Dumas
• 1870 La Vérité (The Truth) (1870), oil on canvas, Musée d'Orsay, Paris. The painting is contemporary with the first small scale model made by Lefebvre's fellow-Frenchman Frédéric Bartholdi for what became the Statue of Liberty, striking a similar pose, though fully clothed.^[2]
• 1870s Jeune femme à la mandoline (Girl with a Mandolin)
• 1870 Portrait du Prince Impérial
• 1872 Pandora

  

• 1872 La Cigale, National Gallery of Victoria (Exhibited Salon, Paris, 1872, no. 970; collection of Milton Latham (1827–82), San Francisco, before 1878; by whom sold, New York, 1879; collection of Daniel Catlin, St Louis, Missouri, 1879–1893; by whom gifted to the St Louis Museum of Fine Arts, 1893–1945; deaccessioned and sold, c. 1945; collection of Julian Sterling, Melbourne, by 1984–2005; from whom purchased for the Felton Bequest, 2005.)
• 1874 Odalisque
• 1874 Slave Carrying Fruit (Ghent Museum)
• 1874 Portrait of Eugène Louis Napoléon Bonaparte
• 1875 Chloé, Young and Jackson Hotel, Melbourne
• 1876 Mary Magdalene in the Cave, Hermitage Museum, Saint Petersburg
• 1877 Pandora
• 1878 Mignon, Metropolitan Museum of Art, New York
• 1878 Graziella, Metropolitan Museum of Art, New York
• 1879 Diana
• 1879 Diana Surprised, Museo Nacional de Bellas Artes, Buenos Aires
• 1880 Portrait of Julia Foster Ward, Museum of Fine Arts, St. Petersburg, FL
• 1880 Housemaid, Pera Museum, Istanbul
• 1881 La Fiametta from Giovanni Boccaccio
• 1881, Ondine, Museum of Fine Arts, Budapest^[10]
• 1882 Pandora (II)
• 1882 Japonaise (A Japanese woman)
• 1883 Psyché
• 1884 The Feathered Fan
• 1884 Portrait of Edna Barger, private collection
• 1890 Lady Godiva
• 1890 Ophelia
• 1892 A Daughter of Eve
• 1892 Judith
• 1896 Portrait of a Lady (II)
• 1898 Amor beim Schärfen seiner Pfeile (Love sharpening its arrows)
• 1901 Alexander Agassiz
• 1901 Yvonne (formerly Musée du Luxembourg), Portrait of Lefebvre's daughter

• 
  Clémence Isaure
• 
  Diana Surprised, 1879
• 
  Lady Godiva, 1891
• 
  La Vérité, 1870
• 
  Vittoria Colonna, 1861

Karya lainnya

• Clémence Isaure
• La Fiancée
• Woman with an Orange
• Nymph with Morning Glory Flowers
• Fleurs des Champs
• L'Amour Blessé (Wounded Love)
• Mediterranean Beauty
• Portrait of a Lady
• Portrait of a Woman
• Young Woman with Morning Glories in Her Hair

Referensi

1. ^ ^{a b c d} "Art Renewal Center Museum™ Artist Information for Jules Joseph Lefebvre". Art Renewal Center. 
2. ^ ^{a b c d} "A One-Picture Painter". Evening News (13,776). New South Wales, Australia. 3 August 1911. hlm. 6. Diakses tanggal 6 March 2017 – via National Library of Australia. 
3. ^ ^{a b} Oxford Art Online, "Lefebvre, Jules"
4. ^ Collier, Peter; Lethbridge, Robert (1994). Artistic Relations: Literature and the Visual Arts in Nineteenth-century France. London: Yale University Press. hlm. 50. ISBN 9780300060096. 
5. ^ Baron Ernst Friedrich von Liphart Diarsipkan 2013-12-30 di Archive.is, Late 19th Century – 19th Century – Russian Artists – Biographies – RusArtNet.com
6. ^ Waller, S. (ed.), Foreign Artists and Communities in Modern Paris, 1870–1914: Strangers in Paradise, Routledge, 2017, p. 119
7. ^ Kathleen Luhrs, American Paintings in the Metropolitan Museum of Art, 1980: "...ke Paris dan belajar selama satu tahun di Académie Julian di bawah Gustave Boulanger dan Jules Lefebvre."
8. ^ Carrie Rebora Barratt; Lori Zabar (1 January 2010). American Portrait Miniatures in the Metropolitan Museum of Art. Metropolitan Museum of Art. hlm. 244–. ISBN 978-1-58839-357-9. 
9. ^ "Benoit-Lévy, Jules (1866–1925), Painter, draughtsman, illustrator" Diarsipkan 2019-10-15 di Wayback Machine., Benezit Dictionary of Artists
10. ^ Kovacs, Anna Zsófia (2015–2016). "L'Ondine de Jules Lefebvre : un nu académique français dans les collections du musée des Beaux-Arts". Bulletin du musée hongrois des Beaux-Arts. 120-121: 147–164. 

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