Max Schoen
Max Schoen (11 May 1888 – 27 May 1959) was an American music educator, psychologist and scholar.[1]
Life
Born in the Austro-Hungarian Empire, Schoen came to the United States in 1900 and was naturalized as a US citizen in 1918. He gained his BA from the City College of New York in 1911 and a PhD from the University of Iowa in 1921. He taught at Carnegie Institute of Technology from 1922 until 1947, retiring as Professor and Head of the Department of Psychology and Education. After retirement he held visiting lectureships at Coe College, Iowa and Fisk University in Nashville.[2]
Works
- (ed.) The Effects of Music. A series of essays, London: Kegan Paul & Co., 1927. The International Library of Psychology, Philosophy and Scientific Method
- The beautiful in music, London: K. Paul, Trench, Trubner & Co., 1928
- Human nature: a first book in psychology, New York & London: Harper & Brothers, 1930
- Art and beauty, New York: The Macmillan Company, 1932
- The psychology of music: a survey for teacher and musician, New York: Ronald Press, 1940
- (with Laurance F. Schaffer and B. von Haller Gilmer) Psychology, New York: Harper, 1940
- Bibliography of experimental studies on the psychology of music to 1936, 1940/1941
- (ed.) The enjoyment of the arts, New York: Philosophical Library, 1944
- Human nature in the making, Kingswood: Worlds Work, 1947
- (with H. G. Schrickel and Van Meter Ames) Understanding the world: an introduction to philosophy, New York & London: Harper & Bros, 1947
- (ed. with Dorothy M. Schullian) Music and medicine, New York: H. Schumann, 1948
- The man Jesus was, New York: A. A. Knopf, 1950
- (ed.) The effects of music: a series of essays, Freeport, N.Y.: Books for Libraries Press, 1968
References
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Music psychology
- Biomusicology
- Cognitive musicology
- Cognitive neuroscience of music
- Culture in music cognition
- Evolutionary musicology
- Psychoacoustics
- Absolute pitch
- Auditory illusion
- Auditory imagery
- Background music
- Consonance and dissonance
- Deutsch's scale illusion
- Earworm
- Embodied music cognition
- Entrainment
- Exercise and music
- Eye movement in music reading
- Franssen effect
- Generative theory of tonal music
- Glissando illusion
- Hedonic music consumption model
- Illusory continuity of tones
- Levitin effect
- Lipps–Meyer law
- Melodic expectation
- Melodic fission
- Mozart effect
- Music and emotion
- Music and movement
- Music in psychological operations
- Music preference
- Music-related memory
- Musical gesture
- Musical semantics
- Musical syntax
- Octave illusion
- Relative pitch
- Sharawadji effect
- Shepard tone
- Speech-to-song illusion
- Temporal dynamics of music and language
- Tonal memory
- Tritone paradox
- Aesthetics of music
- Bioacoustics
- Ethnomusicology
- Hearing
- Melodic intonation therapy
- Music education
- Music therapy
- Musical acoustics
- Musicology
- Neurologic music therapy
- Neuronal encoding of sound
- Performance science
- Philosophy of music
- Psychoanalysis and music
- Sociomusicology
- Systematic musicology
- Zoomusicology
- Jamshed Bharucha
- Lola Cuddy
- Robert Cutietta
- Jane W. Davidson
- Irène Deliège
- Diana Deutsch
- Tuomas Eerola
- Henkjan Honing
- David Huron
- Nina Kraus
- Carol L. Krumhansl
- Fred Lerdahl
- Daniel Levitin
- Leonard B. Meyer
- Max Friedrich Meyer
- James Mursell
- Richard Parncutt
- Oliver Sacks
- Carl Seashore
- Max Schoen
- Roger Shepard
- John Sloboda
- Carl Stumpf
- William Forde Thompson
- Sandra Trehub
- Music Perception
- Musicae Scientiae (journal)
- Musicophilia
- Music, Thought, and Feeling
- Psychology of Music (journal)
- The World in Six Songs
- This Is Your Brain on Music